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IP Forum helps to advance the debate on copyright levies

On Tuesday 1 October, GESAC –the organisation behind this website- attended Marielle Gallo’s IP Forum on copyright levies. With Françoise Castex’s draft parliamentary report on the issue released, and the deadline for amendments set for 18 October, we were eager to hear what the invited speakers had to say on the issue at this timely panel discussion.

As Marielle Gallo pointed out, technological developments have offered in recent years many more ways to copy cultural works than there used to be. It’s not just about teenagers burning CDs any more. How can artists ensure fair remuneration for their work in such a context?

While technology is in constant evolution, consumer behaviours remain largely the same, according to David El Sayegh of French author society SACEM. A recent study revealed that 75% of downloaded music files (and subsequent private copies) originate from authorized sources such as YouTube. Streaming hasn’t replaced private copying. Private copying still has a significant place in the remuneration of artists. The revenues collected through private copying levies contribute to the financing of cultural projects and events to the benefit of all, a fact that is not well known amongst consumers. David El Sayegh re-stated that author societies are open to finding a balanced compromise on the issue of private copying levies. Such a solution would both allow consumers to make private copies and rights holders to receive compensation for the copied works.

Striking the balance between the different voices in the copyright levies debate has been António Vitorino’s arduous task since he was appointed mediator on the issue by the European Commission. Speaking at the IP Forum, he said that he was not advocating for the end of levies but was looking at how to apply the copyright levies logic in the sector of online on-demand services.

On his specific proposal to shift the responsibility for the payment of the levies from storing device manufacturers to retailers, he recognized there was a risk of overburdening retailers with red-tape. He also stated that the recommendations he made at the beginning of the year were neither “absolutely true” nor “absolutely false”. We were happy to hear him advocate for a spirit of compromise and openness as key tools for reaching a solution on the issue of copyright levies.

Followers of this website will remember that rightholders organisations have jointly expressed their dissatisfaction with the report of Mr Vitorino. GESAC has also reflected its views on Mr Vitorino’s recommendations and made its proposals for the improvement and better functioning of the system.

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Artisjus (Hungary) and Sabam (Belgium) join Armonia

“STRONGER TOGETHER” – Artisjus (Hungary) and Sabam (Belgium) join Armonia, Europe’s first portal for licenses for on-line music services

Artisjus (Hungary) and Sabam (Belgium) have joined Armonia, the biggest portal for international licenses in the world. Armonia was formalized as a European Grouping of Economic Interest on 30 April 2013 by Sacem (France), Sgae (Spain) and Siae (Italy) with the following goals:
  • to develop and facilitate on-line music service offerings by providing a one-stop shop for licences for numerous repertoires enabling the decrease of the licensing costs for music users,
  • to guarantee the diversity of the works represented within these services.

The recruitment of two new members to Armonia has made its catalogue even more attractive. It now represents 6.5 million works in 32 countries, covering the works of Sacem, Sacem Luxembourg, Sgae, Siae, the repertoire of Spa (Portugal) via SGAE, a bulk of Anglo-American and Latin American works, and now the works of Artisjus and Sabam.

Open to all societies of authors, composers and music publishers in Europe, Armonia aims to expand by signing multinational agreements with on-line services and thus to increase legal options and enhance the protection of authors’ rights in a digital context.

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Copyright and the EU Economy

Did you know that 4.2% of EU GDP is generated by copyright intensive industries (nearly €510 million annually), and that copyright intensive industries employ 3.2% of Europe’s workers (7.05 million people)?

 This has been revealed in a study “Intellectual Property Rights intensive industries: contribution to economic performance and employment in Europe”, carried out jointly by the European Patent Office (EPO) and the Office for Harmonization in the Internal Market (OHIM), and presented yesterday by Commissioner for the Internal Market and Services Michel Barnier.  – Link to the study –

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Copyright and the EU Economy

Did you know that 4.2% of EU GDP is generated by copyright intensive industries (nearly €510 million annually), and that copyright intensive industries employ 3.2% of Europe’s workers (7.05 million people)?

 This has been revealed in a study “Intellectual Property Rights intensive industries: contribution to economic performance and employment in Europe”, carried out jointly by the European Patent Office (EPO) and the Office for Harmonization in the Internal Market (OHIM), and presented yesterday by Commissioner for the Internal Market and Services Michel Barnier.  – Link to the study –

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