News

Collective Rights Management proposal – what’s in store in the months to come?

Big thanks to Marielle Gallo, MEP and the rapporteur steering the Collective Rights Management Directive draft through European Parliament, for publishing the proposal’s timeline on her website.

If you’re curious, here it is below:

18th March: JURI hearing on Collective Right Management

19th March: Exchange of views on the working document

27th March: IP Forum on Collective Right Management

29-30 May: Exchange of views on the Draft Report

20th June: Consideration of Amendments

9th July: Vote on the report during JURI committee

We’ll be actively participating in the debate as far as we can, working hard to produce a final draft that best serves creators, users and the European digital economy.

For more information on the proposal, click here.

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Rightholders’ statement on Mr Vitorino’s recommendations

The undersigned European organisations of authors, performers and producers have taken note of the recommendations presented by Mr Antonio Vitorino, which mark the conclusion of the mediation process on private copying levies initiated by the European Commission.

We strongly disagree with the main orientations recommended by Mr Vitorino. In the event that the European Commission were to accept these recommendations, the result would: i) have a negative effect on consumers; ii) damage the interests of rightholders (and thus damage the development of European culture); and iii) increase the complexity of licensing agreements. The parties that would benefit are only importers and manufacturers of recording media/devices, which are mainly non EU companies.

Our main concern is that licensing is seen as a way of eradicating private copying levies, which is contrary to the model applied today in most EU countries where both systems are complementary. By adopting such a position, Mr Vitorino goes back in time to when the very principle of the private copying exception in the digital era was challenged by those who called for the implementation of technical protection measures instead. This was not the solution ultimately chosen in Europe under the 2001 Copyright Directive.

By stating that copies made by end-users for private purposes from a licensed service do not cause any harm (therefore not requiring the corresponding remuneration from private copying levies), Mr Vitorino basically suggests eliminating private copying levies, notably for so called “new business models in the digital environment”.

This appears to represent a gross misconception of the private copying system. Licensed services receive authorisation for the exploitation of works based on the specificities of each business model, while the remuneration for private copying is organised through the levy-based system to guarantee that users are able to make private copies, whatever the service’s business model.

With this recommendation, Mr Vitorino proposes to get rid of the exception when services are licensed, under the assumption that rightholders should include the price of private copies in the authorisation.

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A strong budget for Creative Europe

Ahead of the 7-8 February Special Summit on the EU’s Multi-Annual Financial Framework, the European Platform on the potential of Cultural and Creative Industries (‘The Platform’) – a group of more than 40 organisations representing a wide range of cultural and creative sectors – calls on EU Member States to adopt a strong budget for ‘Creative Europe’, the 2014-2020 programme for the cultural and creative sectors.

In current times of economic crisis, and as budgets for culture are being cut in many member states, the Platform believes it is crucial to have an ambitious budget for the Creative Europe Programme.

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Putting an end to the digital exception

In a frank and thought-provoking interview with Les Echos, Jean-Noël Tronc, Director General of Sacem, mulls  the contribution of cultural industries to the French economy; the importance of balancing out power between the cultural industry, and the digital and electronic industries; and the role of Sacem as non-profit, cooperative company representing the creators at the heart of the cultural sector.

Full article here:

http://www.lesechos.fr/journal20130121/lec2_l_entretien_du_lundi/0202507527422-il-faut-en-finir-avec-l-exception-numerique-530274.php

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